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is a Japanese film director and actor with a considerable cult following both domestically and abroad. ==Biography== Tsukamoto started making movies at the age of 14, when his father gave him a Super 8 camera. His cinematic influences included Akira Kurosawa.〔(Brief Interview with Shinya Tsukamoto on Nightmare Detective ) ''Twitch'' Retrieved September 10, 2007〕 He made a number of films, ranging from 10-minute shorts to 2-hour features, until his first year at college when he temporarily lost interest in making movies. Tsukamoto then started up a theatre group, which soon included Kei Fujiwara, Nobu Kanaoka, and Tomorowo Taguchi, all of whom would continue to work with Tsukamoto up through the filming of Tetsuo: The Iron Man.〔Mes, Tom (2005). Iron Man. The Cinema of Shinya Tsukamoto. FAB Press. ISBN 1-903254-36-1〕 One of their theatre productions at this time was ''Denchu Kozo no boken''. At the end of the production, Tsukamoto did not want to waste all the effort they had put into building the set, so he decided to shoot a film version.〔Shinya Tsukamoto interview. Basic Tsukamoto. Pathfinder Pictures, 2003.〕 Tsukamoto's early films, ''Futsu saizu no kaijin'' (''A Phantom of Regular Size'') and ''Denchu Kozo no boken'' (''The Adventures Of Electric Rod Boy'') made in 1986/87, were short subject science fiction films shot on colour 8 mm film. His black & white 16 mm feature ''Tetsuo: The Iron Man'', made in 1988. Tsukamoto has stated he has a love-hate relationship with Tokyo, and in the end the characters of this film set out to destroy it. Tetsuo is considered the definitive example of Japanese cyberpunk.〔http://www.cyberpunkreview.com/japanese-cyberpunk/〕 Tsukamoto's next film, ''Hiruko the Goblin'', was a more conventional horror film, about demons being unleashed from the gates of hell. He then created a follow-up to ''Tetsuo: The Iron Man'', named ''Tetsuo II: Body Hammer'', which revisited many of the same ideas as the first movie but with a bigger budget and shot in color on 35 mm film. As a result, the film is often interpreted more as a companion piece than as a straightforward sequel. In ''Body Hammer'', a salaryman's son is kidnapped by a group of thugs, who then force the man's nascent rage to make him mutate into a gigantic human weapon. ''Tokyo Fist'' (1995) again dealt with the idea of rage as a transformative force (similar to David Cronenberg's ''The Brood''). Here, a meek insurance salesman discovers that an old friend of his, now a semi-professional boxer, may be having an affair with his fiancée. The salesman then enters into a rigorous and self-destructive boxing training program to get even. In ''Bullet Ballet'' (1998), a man (played by Tsukamoto) discovers that his longtime girlfriend committed suicide with a gun, and becomes obsessed with getting a gun just like that one. His single minded behavior causes him to run afoul of a gang of thugs, especially when he shows interest in the young girl who is one of their compatriots. ''Gemini'' (1999) was an adaptation of an Edogawa Rampo story, in which a country doctor with pretensions of superiority has his life torn apart when another man who appears to be his exact duplicate enters his life. Things are complicated further by the twin taking control of his wife, an amnesiac with a criminal background. ''A Snake of June'' (2002) once again found Tsukamoto employing the formula of two men in competition for one woman, as a young lady is blackmailed into perverse sexual behavior against her husband's will—until her husband finds that he enjoys the blackmail more than the blackmailer does. ''''Vital'''' (2004) again features a love triangle, this time consisting of two women and one man. The story concerns a young man whose girlfriend is killed in a car crash whilst being driven by him. He is a medical student and is given her body to dissect in class (whether by coincidence or intentionally is not clear). Tsukamoto also acted in and directed the short film ''Haze'' in 2005. In 2006, Tsukamoto directed the horror thriller ''Nightmare Detective'' (''Akumu Tantei''). The film centres around a vagrant with the supernatural ability to enter the dreams of others and a police officer who pleads with him to help her solve a series of bizarre murders committed by a serial killer with a similar ability, played by Tsukamoto himself. Tsukamoto acts in nearly all of his films, with the exception of those that he worked on as a "director for hire" (namely ''Hiruko the Goblin'' and ''Gemini''). Tsukamoto has appeared in many other directors' films as well, such as Takashi Miike's ''Dead or Alive 2: Birds'' (2000), and ''Ichi the Killer'' (2001), as well as Teruo Ishii's ''Blind Beast Vs the Dwarf'' (2002). He was the lead actor in Takashi Shimizu's ''Marebito'' (2004), and appeared more recently in ''Welcome to the Quiet Room'' (2007). He is also a successful voiceover artist for TV advertising in Japan. He also provided the Japanese voice of Vamp in the 2008 PlayStation 3 game ''Metal Gear Solid 4: Guns of the Patriots'' (a character previously voiced by Ryōtarō Okiayu in ''Metal Gear Solid 2: Sons of Liberty'').〔(Live Coverage of Metal Gear's Anniversary Party ) ''1UP.com''〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Shinya Tsukamoto」の詳細全文を読む スポンサード リンク
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